The Choir of the Age of Enlightenment performs its first solo a capella concert.Read More
Go and see a modern orchestra and you’ll notice they’re all using vibrato. Go and see the OAE and things might not be quite the same. Why use vibrato? And why do we only use it sometimes?Read More
Watch does pitch mean to a period instrument player? And do you really have to carry more than one instrument around?Read More
“It’s a bit like driving on the left – doing the same thing but in a different way”. Our Principal Timpanist Adrian Bending shows us his new set of drums, the Schnellar Timpani.Read More
‘When we play it, it invokes the horns of the forest. Which is where we all come from, ancestrally, as horn players.’
As the OAE horn section rehearse, Martin Lawrence talks about the forest, Weber, horns and that ‘sort of ghostly sound’.Read More
‘They are an inspiration to me.’ Principal Artist Vladimir Jurowski tells us what makes the OAE so special.Read More
‘The person who can make you cry in a major key, like no-one else can.’Read More
Lisa Beznosiuk shows us the flute she is playing in Bruckner’s 6th Symphony.
Hear it this Friday at the Royal Festival Hall, London:
Sir Simon Rattle conducts BrucknerRead More
Bruckner trombone? Beethoven trombone? Philip Dale takes us through the differences between the two and which one he’ll be choosing to play in Bruckner’s six symphony on Friday 22 April 2016.Read More
‘It takes the musicians and the audience on this epic journey.’Read More
“It’s easy to think Mahler 2 is all about horns. Which it is really.”Read More
OAE Principal Artist Vladimir Jurowski discusses the Orchestra’s upcoming performance of Mahler’s Resurrection on period instruments.Read More
Before our Marin, Music and Madness concert at the Royal Festival Hall in February, conductor Marin Alsop got together with journalist Jessica Duchen, musicologist Dr Robert Samuels and Director of Music at the Southbank Centre, Gillian Moore, to discuss whether madness and genius really do go hand in hand. Or does this notion misrepresent both creativity and mental health problems?Read More
Frances Kelly takes us through some of the basics of her instrument which she will play in Mozart’s Flute and Harp Concerto on Sunday 14 February 2016 at the Royal Festival Hall.Read More
A Ouija board, the Nazi party and Hungarian violinist Jelly D’Aranyi: Jessica Duchen, Laura Tunbridge and John MacAuslan discuss the rediscovery of Schumann’s violin concerto in the 1930s.Read More
Finishing around 8.30pm, our Kings Place concert is the perfect aperitif for a sophisticated New Year’s Eve in the heart of Kings Cross and Camden.
So, if you’re planning on sticking around after the chamber music and Viennese dances, here are our top local tips to keep you entertained to midnight and beyond.Read More
‘What I do now, for these concerts, is make the sound beautiful.’Read More
Margaret Faultless introduces a 1990 recording from BBC Scotland featuring the first movement of Bach’s double violin concerto.
Spot current OAE players Alison Bury (soloist), Cathy Weiss, Richard Tunnicliffe, Annette Isserlis, and Margaret Faultless.
We perform the same piece at St John’s Smith Square on 24 November (with Margaret) and the West London Synagogue on 22 November.
We’re taking a break from our 30th birthday season at Southbank Centre to pay a visit to the stunning West London Synagogue, just off Edgware Road.Read More
The OAE archive is huge. In just 30 short years we’ve amassed a lot of stuff. Here at OAE HQ and at a secret warehouse location in Hounslow we’ve got boxes and boxes of OAE goodies.Read More